Today, I thank the world for photography. Correction, Alice Gao. Because, unfortunately, under the realm of photography is the likes of selfies, and so I can’t say I thank the whole world.
But I’m just gonna come clean and say it – selfies are such a gift. Come on, they’re super liberating. You have all the power in the world to be as pleased as you like with your photo, rather than having your face’s fate quivering in the hands of that stranger at the party who snapped you and a friend out of the blue, leaving you like a couple of deer in headlights with excessive makeup on. (What an image. I enjoy it.)
So on second thought, yes, I thank the world for photography and selfies.
Alice Gao, though, really must be the reigning queen of this world. Or at least for me, on this day, and since I’ve found her. For example, I can’t decide whether or not I’d like to hang the finished painting alone or the photo itself of the painting still dripping from the creative process. As in, with the palette still fresh and the bottles looking as if they have given every last drop of their creative juices to the canvas at hand. And the strips of moody navy, slowly peaking towards the colour the artist was looking for. She makes her photo a piece of art, when it is itself featuring a piece of art. Now that’s ingenuity.
And here, although these flowers look as though they’re fit for a palace or among tight circles serving high tea, the griminess of the sink and the crossing strips of metal on the window serve as a humble stage for the royally strewn stems.
Caught mid-packaging, I see every bit of the efforts we take in creating something beautiful from head to toe for a recipient we care about. Cut string, labels messied about from choosing just the right one, stamps even. It’s as if Gao is floating in and out of our lives and pauses these moments in the most unexpected lights.
Ah. This I adore. The composition has allowed for an immense dark sky to hover over the vibrancy of the flowers, the normalcy of morning tea. But this colour to me is not laden with grief or gloom, but blanketing comfort, lifted just enough so that we can see the light she has captured.
I almost feel as though I’m viewing more so a portrait of a portrait than a scene of an apartment. The framing of this portrait, however asymmetrical, focuses the lady staring right back at us. The to-die-for gold and marble end table elevates her to a point of eye-level, as if we’re about to enter into an enlightening conversation with the woman before us (who I have no doubt has some bad-ass stories to tell).
ps. white brick wall alert. yes, i am swooning.
And oh my golly gee willickers, I just found her blog, Lingered Upon, and I did a helluva lot more than just linger. I think I just moved in unannounced. Here’s a sneak peek of her posts, slash justification of my rudeness:
Just everything about this outfit makes me feel like a savvy, stylin’, successful photographer.
And just everything about this makes me want to just be her for a day. Those boots. That espresso. That style.